Manuscripts
Pre-Raphaelite Brotherhood correspondence
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Pre-Raphaelite women : images of femininity
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"...Pre-Raphaelite Women explores the lives, art and influence of the women associated with the Pre-Raphaelite circle. As models, wives, and lovers of these artists, women such as Elizabeth Siddal, Jane Morris, Fanny Cornforth, Annie Miller, and Maria Zambaco were at the very core of the movement. This unique volume juxtaposes the stories of these women with the paintings they inspired, revealing the discrepancies between the art and the Pre-Raphaelites and their reality. Art authority Jan Marsh explains in her text just how different the painters' idealized visions of these women were from their everyday lives. While portrayed as saints, angels, femme fatales, and courtly ladies, many of the Pre-Raphaelite women came from ordinary, even squalid, backgrounds."--from book jacket.
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The Pre-Raphaelites
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Chart the rise and legacy of the Pre-Raphaelites and see how this most admired British art movement was born. Dozens of reproductions attest to these painters' scrupulous attention to natural details. More than 40 artists are represented, including Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Arthur Hughes, Edward Burne-Jones, John William Waterhouse, and Ford Maddox Brown.
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The Pre-Raphaelites
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Chart the rise and legacy of the Pre-Raphaelites and see how this most admired British art movement was born. Dozens of reproductions attest to these painters' scrupulous attention to natural details. More than 40 artists are represented, including Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Arthur Hughes, Edward Burne-Jones, John William Waterhouse, and Ford Maddox Brown.
608488
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Pre-Raphaelite ballads
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This little art book contains several of William Morris' short poems, originally published in 1858 in his book of poetry, The defense of Guenevere, and other poems. Here they have been illustrated with woodcut engravings and reprinted in the style of Morris' Kelmscott Press.
607352
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The Journal of Pre-Raphaelite Studies, 1993 Fall
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The Sanford L. Berger papers consist chiefly of research material relating to the activities of California architect Sanford L. Berger, from the mid 1960s to the late 1990s, as a collector, student, and enthusiast of objects and knowledge related to 19th century English artist, decorator, poet, and printer William Morris and his circle. This finding aid provides a preliminary inventory of the collection and has been broadly arranged into eleven series. This collection contains a wide assortment of materials of varying research value. Because most items remain in the original order in which the Huntington received them, there is some overlap among series. The bulk of the collection consists of correspondence between Berger and prominent individuals in Morrisian scholarly, academic, special collections libraries, book trade and museum circles in the United States and England (Series 1), as well copies of articles, clippings, ephemera, and research materials related to Morrisian topics (Series 2 and Series 5). The collection also contains administrative documents and ephemera related to museum exhibitions that included material from the Bergers' collection (Series 3), and specific research and travel files related to the story of Cupid and Psyche as recounted in Morris's The Earthly Paradise (Series 8); ecclesiastical stained glass installations of Morris & Co. visited by the Bergers (Series 9); and the Cranbrook Educational Community in Bloomfield Hills, Michigan (Series 7). Miscellaneous ephemera (Series 4) in the collection includes fine press book announcements, exhibition posters, postcards, clippings, photocopies and photographs of Morris designs, correspondence, notes and inventories made by Berger, 238 bifolios from The Golden Legend (Series 4, Box 64), and loose gatherings and separated leaves from miscellaneous imprints (Series 4, Box 65). Complimentary materials in the collection include items related to Berger's interest in contemporary and historical fine press printing, particularly in the San Francisco Bay Area (Series 6) and two film reels from the 1970s (Series 10).
633396
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The Journal of Pre-Raphaelite Studies, 1993 Spring
Rare Books
The Sanford L. Berger papers consist chiefly of research material relating to the activities of California architect Sanford L. Berger, from the mid 1960s to the late 1990s, as a collector, student, and enthusiast of objects and knowledge related to 19th century English artist, decorator, poet, and printer William Morris and his circle. This finding aid provides a preliminary inventory of the collection and has been broadly arranged into eleven series. This collection contains a wide assortment of materials of varying research value. Because most items remain in the original order in which the Huntington received them, there is some overlap among series. The bulk of the collection consists of correspondence between Berger and prominent individuals in Morrisian scholarly, academic, special collections libraries, book trade and museum circles in the United States and England (Series 1), as well copies of articles, clippings, ephemera, and research materials related to Morrisian topics (Series 2 and Series 5). The collection also contains administrative documents and ephemera related to museum exhibitions that included material from the Bergers' collection (Series 3), and specific research and travel files related to the story of Cupid and Psyche as recounted in Morris's The Earthly Paradise (Series 8); ecclesiastical stained glass installations of Morris & Co. visited by the Bergers (Series 9); and the Cranbrook Educational Community in Bloomfield Hills, Michigan (Series 7). Miscellaneous ephemera (Series 4) in the collection includes fine press book announcements, exhibition posters, postcards, clippings, photocopies and photographs of Morris designs, correspondence, notes and inventories made by Berger, 238 bifolios from The Golden Legend (Series 4, Box 64), and loose gatherings and separated leaves from miscellaneous imprints (Series 4, Box 65). Complimentary materials in the collection include items related to Berger's interest in contemporary and historical fine press printing, particularly in the San Francisco Bay Area (Series 6) and two film reels from the 1970s (Series 10).
633396