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Manuscripts

The Diversions of the Morning. Farce, 2 acts. Samuel Foote


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    The Macaroni. Comedy, 5 acts. Robert Hitchcock

    Manuscripts

    Application n.d. [Feb., 1773], Tate Wilkinson, York. Prod. 1773 (?). MS: endorsed X and acted at York in Feb. 1773. Comp. York, 1773 (K-D 67): numerous minor differences.

    LA 348

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    The Author. Farce, 2 acts. Samuel Foote

    Manuscripts

    The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.

    LA 129

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    The Knights. Farce, 2 acts. Samuel Foote

    Manuscripts

    The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.

    LA 105

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    The Virtuoso. Farce, 2 acts. Samuel Foote

    Manuscripts

    The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.

    LA 93

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    Oh! It's Impossible. Comedy, 5 acts. John Philip Kemble, from Shakespeare, Comedy of Errors

    Manuscripts

    Application Feb. 4, 1780, John Kemble for Tate Wilkinson, York. Prod. 1780 (?). MS: some corrections. J.P.C. in B.D.: It is an alteration of the Comedy of Errors with the names of the characters all changed and the scene laid in London.

    LA 511

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    Love Letters. Musical farce, 2 acts. Thomas John Dibdin

    Manuscripts

    No application. Prod. H2, June 24, 1822. MS: dated, by Larpent, H2, June 7; seven pages of songs inserted before Act I.

    LA 2300