Sandy Rodriguez: Book 13

Sun., March 22, 2026–Mon., April 26, 2027
THIS LAND IS...
Virginia Steele Scott Galleries of American Art
With “Book 13,” Rodriguez considers how histories and borders are marked, erased, and redrawn across this land. She wants visitors to feel the presence of communities who shape this region—the lived stories that unsettle official accounts, affirm resilience, and bring layered truths to the surface.
Rodriguez’s work sparks curiosity about how history is written and how national narratives are constructed and presented. She offers new ways of engaging with important historical collections and landscapes at The Huntington.
Rodriguez is the 2025–26 Hannah and Russel Kelly Distinguished Fellow in American Art at The Huntington. This project grew out of her research residency, with support from Creative Capital Foundation.
About The Artist

Sandy Rodriguez
Sandy Rodriguez is a Los Angeles-based Chicana artist and researcher. Her ongoing series Codex Rodriguez-Mondragón is made up of a collection of maps and paintings about the intersections of history, social memory, contemporary politics, and cultural production. Her works are in the permanent collections of Los Angeles County Museum of Art, California; Crystal Bridges Museum of American Art, Arkansas; Amon Carter Museum, Texas; The Huntington, California; Denver Art Museum, Colorado; and Mellon Art Collection, New York; and others. She was recently awarded the 2025–2026 Kully Distinguished Fellowship in American Art, 2024 US Latinx Art Fellowship, 2023 Jacob Lawrence Award from the American Academy of Arts and Letters, the 2023 Hermitage Greenfield Prize, the 2020 Caltech-Huntington Art + Research Residency, and the 2021 Creative Capital Award. Rodriguez and her work have been featured in BBC News: In The Studio, Hyperallergic, ArtNews, Los Angeles Times, The New York Times, and others.
Related Events and Stories
YOU ARE HERE: A Work in Progress from Sandy Rodriguez
YOU ARE HERE: A Multilingual Map of the Greater Los Angeles Area
This project was supported in part by a grant from the Creative Capital Foundation.